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Filming the Fantastic: A Guide to Visual Effects Cinematography

A Guide to Visual Effects Cinematography

By Mark Sawicki

Filming the Fantastic:  A Guide to Visual Effects Cinematography

ISBN: 9780240809151

Trim: 7.25in x 10.25in

Publication Date: June 07, 2007

Price: $47.95

Format: Book - Paperback

Pages: 312

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Description

Don't waste valuable time and budget fixing your footage in post! Shoot the effects you want effectively and creatively the first time.

This full-color step-by step guide to visual effects cinematography empowers you to plan out and execute visual effects shots on a budget, without falling into the common pitfall of using high-end computer graphics to "fix it in post." Learn how to effectively photograph foreground miniatures, matte paintings, green screen set ups, miniatures, crowd replication, explosions, and so much more to create elements that will composite together flawlessly.

Filming the Fantastic focuses on the art and craft of visual effects using real case scenarios from a visual effects cameraman. These lessons from the front line will give you ideas and insight so you can translate your skills into any situation, no matter what camera or software package you are using and no matter if you are using film or digital technology. Learn how to film your fantastic visual effects with this book!

* Hundreds of full-color set photographs show you exactly how it's done
* Includes step-by-step information on green screen setup
* Real-world examples and exercises throughout

Reviews

"An extremely knowledge book, this is for sure a must have volume for filmmakers. I would say even if you have no intention of Fx work, the training is still essential to working with your hired talent better. And who knows..... you may pull a few tricks out of your sleeve to mention something that wasn't even being considered." - horrornews.net

Contents

Forced Perspective; Latent Image Matte Painting; Stop Motion and Dynamation; Film and the Photochemical Process; Motion Picture Formats and the Optical Process; Digital Scanning and Recording/Digital Compositing Methods; Cinema and Shooting Elements; Blue and Green Screen Practical Examples; Motion Control vs. Tracking; Creating and Shooting Miniatures; Miniatures vs. Computer Graphics; Shooting Elements: Fire, Explosions, Snow, Bubbles, etc.; Planning for Fixes; Personalities and the Work Environment; Glossary